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SOAHAM
SADHANA
First Step Towards Self-
Realization
Soaham sadhana or hamsa yoga is purely a spiritual
type of pranayama. This yoga incorporates pranayama
along with some kind of nada yoga and dhyana
yoga.
The pranayama phase consists of sitting in a stable
posture of sukhasana or padmasana; in a physically and
mentally calm condition; keeping the spinal cord in an
erect position and taking deep breaths in a consistent
manner. The erect position of the spinal column supports
straight flow of the prana. Like for the other pranayamas,
breathing at a slow pace is supposed to be the best for
this one too. Breathing should be so deep that the lungs
would be totally filled with oxygen after inhalation. The
duration of either kind of kumbhaka should not be
more than half that of the rechaka or puraka.
While breathing in, the concentration
should be focussed at the subtle sound (of `so')
produced by the air-flow through the nostril. During the
antah kumbhaka it should be centered inside the body.
Meditating on the flow of the `inhaled' prana through the
endocrine centers like the Sata-chakras or the granthis
along the spinal column is extremely useful because it
helps focussing the consciousness at these specific
extrasensory nodal points and thus accelerating the
vibrations of latent energy currents.
While
breathing out, the sadhaka should concentrate on
the subtle sound of ham (produced by the outflow of the
air) and expel the ego, selfishness, vices and infirmities
with it. In order to make this activity more effective
than mere imagination, the sadhaka has to be very careful
in his day-to-day life too. All the glamour and passions
associated with `ham' (`I' the ego) and its narrow
perspectives are to be left despite the intense pressures
of worldly benefits and fears. When an oil-lamp is
kindled, its flame assumes predominance and the oil slowly
looses its own identity and transfers its existence in the
form of light through the medium of the flame. Similarly,
in the soaham pranayama, the existence of ham (the ego) is
immersed in so (that, the omnipresent Brahm)
through the medium of controlled breathing and support of
mental samkalpa.
Perception of the subtle sounds of `So'
and `Ham' which are `dissolved' in the in and out flows of
the breaths corresponds to a practice similar to the nada
yoga. Meditation upon these sounds and the associated
paramount feelings of attracting the mahaprana and releasing the ego and ignorance is indeed a superior type
of dhyana yoga too.
The inherent unity between the soul and the Brahm
is described in the scriptures of Vedanta as the principle
of advaita. The sastras like the Panchadashi
present the details on the philosophy and implementation
of this principle. The hamsa yoga is a sadhana, a
spiritual experiment for the realization of this theory.
The Gayatri Mantra consists of
twenty-four Sanskrit letters compiled in the three vyahtis
after "Oam". The continuous japa of
this mantra by the subconscious mind is a sadhana
of the prana, which results in the merging of the
individual consciousness with the mahaprana. This
effectuates the linkage of the individual self with its
Omnipresent thy origin and thus leads to the
realization of the Brahm. The subtle but spontaneous japa
of soaham occurring with each breath is the same type of
sadhana of prana and gives equiva
lent spiritual benefits. Therefore, the soaham sadhana is
called the ajapa japa of Gayatri.
Every sadhaka of Gayatri has to perform the soaham sadhana
(hamsa yoga) before entering into the highest phase of the
spiritual sadhana of Gayatri. Thus `soaham' is the
bija (essence) of the Gayatri Mantra and its sadhana is
said to be essential for the ulti-mate success in the sadhana of Gayatri.
The `sound' of soaham is said to have
originated from the combination of prakati (the eternal
power of creation) and purusha (the Supreme Creator). The
puranas describe that the inspiration to become many from
the lonely state of being just one, generated within the Brahm, gave rise to the existence of the prakati and
purusha. The prakati was jada and the purusha was chetan.
Combination of the two resulted in the creation of the
universe, the Nature and the manifestation
of life.... The commingling of the prakati and purusha
resulted in the expression of Sabda Brahm. The nada produced
by this cosmic impulse was reflected in the Nada
Brahm as the eternal sublime vibrations of Omkara.
When the unity of the prakati and
purusha generated the sentient chetan components
the jivas, then its jada component (the prakati)
disappeared. Only the `Sah' the Para Brahm, the purusha,
the eternal source of chetan, and the `Ham' the
jiva, an expression of the Para Brahm in thy
creation, remained there after.... The `sah' and the `aham'
are recognized separately under the dvaita
philosophy. The advaita theory defines their
conjugation as eternal because, according to this
philosophy, the jiva is nothing but a reflection of the
multiple manifestations of the Para Brahm. This absolute
unity is represented in `soaham' (sah + aham).
Thus, the soaham has originated and is eternally
existing along with the omnipresent nada of Omkara.
When the (maha)prana is
`inhaled' through a breath during the soaham sadhana it
first reaches the ajna chakra and gets divided into two
components one in the form of a divine emotional charge
and the other as vital energy. The first one reaches the
heart the
emotional core and from there flows towards the different
nuclei of conscious perception inside the body. It
illuminates every corner of the inner body with the
eternal glow of sat (absolute truth) and removes
the asat (the darkness of ignorance and falsehood).
The sublime currents of prana reach the backside of the
brain from the ajna chakra and enter the spinal
column, which subtly contains the flow of the Brahm Nadi.
SOHAM
I AM THAT
Research in spirituality shows that in the innermost
levels of the human psyche the being is always conscious
of its true identity with the omnipresent Creator (Atmabodh
Pragya) and this super-consciousness (Self-awareness)
of primordial identity- Atmabodh), induces the
involuntary Jap (Ajapa Jap) as Soham.
In Sanskrit language, Soham is a combination of two
words So + Ham. However, notwithstanding the
complexities of grammer, which are irrelevant for the
eternally present sounds, let us consider only the concept
behind this nomenclature of Soham. `So'
means `That' and `Ham' means I. Spirituality
regards `I'
the basic identity of the living being as soul. Thus,
taken as one word Soham implies
`I am That' i.e. `I' the individual, is one with That
Cosmic Presence (Omnipresent God). In this way this concept supports the theory of`Advaita'
the indivisibility of God and creation. In other words,
each individual soul is part and parcel of Whole, the
Supreme Soul i.e. God.
The omnipresence of God is a concept
common to all faiths of the world. In India spirituality
uses a plethora of expressions like `Tatvamasi',`Aymatma
Brahma `Shivoham' ` Buddhosi Niranjanosi' to derive
home this Vision. They advocate the elemental oneness of
the Creator (Brahma ) and the Creation
(individual). `Pranayam' performed in course of `Soham
Sadhana' is for this very purpose of reestablishing
the interface between the Supreme Soul (God) and the
individual soul (Human being). Through Pranayam
during Soham Sadhana, the individual is reminded of
that eternal relationship with the Creator.
Man generally identifies himself as
his physical body. All his efforts, and activities are
exclusively confined to making arrangements for
convenience of this body , its pleasures, comforts, and
benefits. He considers only those persons, places and
things as his own which are related to his body. His sense
of belonging remains confined to this false field of self
and everything else is regarded as `not-self'. As a
consequence, man does not hesitate from harming `others'.
This is the state of life of common
man described by the seers, in which, the infatuated soul
aimlessly wanders, deluded by the false perspective of
physical, mental and emotional attachments (Maya).
Constricted by this illusory relationship the individual
becomes involved in selfish, regressive and harmful
activities. This narrow outlook is also responsible for
numerous physical and mental ailments that result in
perpetual situations of suffering grief and distress. It
is necessary to avoid and escape from such an unfortunate
situation.
The Super science of spirituality is
devoted to showing the prodigal man the path back to his
true Home. Soham Sadhana has been regarded as a
means for `Awareness of Truth, Fundamental Wisdom' and
Realization of God', it shows the true relationship of the
individual soul with the Super Soul and makes the former
realize this relationship.
However, this realization is
essentially dependent on freedom from illusions of
belonging to others i.e. to the temporal, ephemeral
relationships with people, places, things and events (i.e.
Maya). The wisdom for attaining this realization of
identity with the Divine Source cannot be acquired by
individuals living a degraded existence of a humanoid
worm, humanoid animal or devils disguised as humans. That
is to say, if in spite of being in a human body one
behaves like a worm, animal or devil one can never
establish this relationship with God. Mythology has it,
that tyrannical egoists like Ravana, Kans and
Hiranyakashyap went to the extent of declaring themselves
as God and forced people to acknowledge this deception as
fact. In this self-hypnosis, they were even
convinced about their omnipotence. But did it yield any positive
results? Their egoism ultimately proved to be the reason
for their annihilation.
The concept of `Soham' (I Am
That) does not imply identifying this physical human body
composed of the five primordial elements and three
qualitative attributes (Gunas), with God. Such a
premise would be counter productive providing man with one
more basis for inflating the ego and consequently becoming
a cause for his retrogression instead of progressive
evolution of the soul. In this autonomous Jap of Soham
during breathing is imbibed an indication of the true
nature of soul which is factually a part of the
omnipresence of God.
The concept of indivisibility of the
Supreme Being and the individual being actually propounds
the universality of the individual entity of soul which,
in other words, is same as omnipresence of God. Masters of
spirituality have endeavored to explain this concept in
many ways like giving examples of the ocean and its waves,
sun and its rays, the indivisibility of the cosmic life (Ghatakash)
and its numerous living organisms (Mathakash), the
unit of life (Pinda) and the Whole (Brahmand)
and the pieces of burning ember in a mass of fire.
In this way, they have pointed out
that on casting off the veils of illusory identifications
with the body and mind becoming devoid of the veils of
pollutants of vices, the individual living being (soul)
attains oneness with the Supreme Divinity. The only
impediment to this unity is lack of true wisdom on the
part of man. Disregarding his true relationship with God,
the individual considers oneself as an independent being,
which results in false sense of an inflated ego the
perception of `I and Mine' in relation to the transitory
names and forms.
Consequently, because of his
indulgence in narrow selfishness, man degrades his own
self by his meaningless ideologies and counter productive
actions. Sadhana is meant solely for expelling the
pollutants of the mind. The highest endeavour of human
life is attempting for communion with God by augmenting
purity in all facets of life in thoughts, words and deeds.
Performance of Soham Sadhana does just this. The
expression `because of being a part of God, the individual
soul is indestructible' (Ishwar Ansha Jiva Avinashi)
is found in many places in the scriptural literature and
is propagated by preachers.
Though man is superficially aware of
this truth this does not serve the purpose. The idea must
penetrate in inner most depths of the psyche. Only when
the firm conviction in this concept is converted into an
unwavering faith in God, will it become a source of
motivation, for the soul to take up in right earnest the
cleansing out the dirt and dross of ignorance lying in all
nooks and corners of mental, vital and physical parts of
the being and thus make them empty and pure receptacles
for receiving the divine nectar of self-awareness. Having
attained this state, the devotee becomes a medium for
expression of the Will of God. It is like the merger of a
rivulet in the sacred river Ganga or dissolution of a drop
of water in the ocean. In both cases the water losing its
erstwhile individual identity, acquires the character of
the vaster entity. Similarly, the thoughts
and conduct of an enlightened person conform to those of
an angel.
Jap is not merely a
ritualistic chanting of words of some Mantra. The
process must be associated with force of self-motivation
through the words (Vak Shakti), contemplation on
the objective, bio-energy (through Pranayam) and
emotional involvement. With these inputs the Jap becomes
live and energized. Adopting this discipline of Upasana
one can surely look forward to rapid spiritual growth.
No upasana could be complete without
incorporating japa, dhyana (meditation) and bhavana
emotional sincerity and linkage with the divine goal of
upasana. Literally speaking, upasana means sitting near
by. Sitting near an idol or picture or any other symbol of
God, worshiping it with the help of flowers, sacred water,
candan, aksata etc and uttering some prayers and mantras
in front of it might be useful for conditioning the
mind for an upasana. But, this alone does not serve the
real purpose. Faith in the divine disciplines, thorough
pondering over the latter and adopting them in all aspects
of life..., and development of the personality so as to
nurture the virtues that uplift it towards the ideals of
morality, near the level of an angelic being are essential
for performing an upasana.
Faith in God becomes meaningful only
when thy disciplines and the duties assigned by thou
materialize in the devotee's life. Gradual elevation of
the devotee's behavior, qualities, thoughts, emotions and
deeds is an indication of his proximity with his ideal
(the deity, whose upasana is being attempted by the
devotee). This is indeed the criterion for judging the
sincere performance of his upasana.
Reading religious or morally
inspiring literature, visiting the shrines and tirthas and
recalling their memories these practices give support in
restraining the agility of the mind and focussing it for
meditation during an upasana. Different methods of japa
and dhyana are taught under different religious and
spiritual schools. But, the sadhana of soaham can
be regarded as a universal upasana. Every human being can
perform it.
As
mentioned earlier, this universal sadhana involves japa
(of soaham through the breaths), dhyana (meditation
on the subtle sounds of `so', `a' and `
ham') along with emotional depth (to contemplate and feel
that `I am an expression of the Brahm'). This is
indeed an upasana of the limitless eternal
expression of the Brahm. No rituals, no other methodology,
need be performed with this sadhana. In this sadhana, the
devotee realizes his closest link with thee by
experiencing thy presence in the inner self. There
could be no upasana
as complete as this experience is. By sincere practice and
strength of internal faith and sraddha such a realization
becomes easy and it intensifies as the soaham sadhana
progresses.
THE
SOAHAM SADHANA OF
SAINT KABIRA
This was around 1500 A.D., when the
saintly poet Kabira had propogated religious reforms under
the nirguna philosophy of bhakti (devotion). About
one century later, the saintly poets like Surdasa,
Tulsidasa, Mira etc had inspired the flow of saguna bhakti
in the form of vaiSnava bhakti (devotion of God Vishnu).
This had so firmly established the devotion of God Ram and
Krishna in the hearts of the people that even today a vast
majority of the people of Indian origin is influenced by
it. The saguna bhakti of Ram or Krishna is an
integral part of these people's religious life.
The knowledge of the soul self
realization
is a must to eradicate the influence of maya. The absolute
realization of the fact that the soul and the Brahm are
one (advaita) liberates the jiva from the bonds of
maya. Only the knowledge of the self as a manifestation of
the Brahm leads to the perfect realization of the self.
Attainment of this is essential for reaching the absolute
state of soaham. Saint Kabira has given specific
importance to this aspect of soaham with a devotional
touch. He has described the realization of this state
through yoga and mysticism. For instance, review
his following verse –
Aradha Uradadha Mukhi Lago Kasu |
Suna ManDala Mahi Kari Paragasu ||
Uhan Suraja Nahin Canda |
Âdi Niramjanu Kare Ananda ||
So BrahmanDi PinD i So Janu |
Manasarovari Kari Isananu ||
Soaham So Ja Kau Hai Japa |
Dhakala Lipata Na Hoi Puna Aru Papa ||
Avarana Varana Dhama Nahin Chama |
Avarana Paia Guru Ka Saya ||
Ùari Ne Ùarai Âvai Na Jai |
Suna Sahaja Mahi Rahio Samai ||
Mana Madhe Jaun Je Koi |
Jo Bolai So Âpai Hoi ||
Joti Mantra Mani Asathiru Karai |
Kahi Kabira So Prani Tarai ||
Meaning: In that absolute void (sunya) horizon,
which is surrounded only by akasa, thou (the Brahm)
brilliance is kindled eternally. There is no sun or moon
(or any source of light) but that source of absolute bliss
is illuminated in its own glow. That sunya is the entire
cosmos and that alone is a pinDa. You should take a dip in
that Manasarovara
(holy pond in the Himalayas) and perform the japa of
soaham. The japa of soaham is beyond the limits
of sins or sacred virtues. The sunya of its expansion
contains no colors nor blanks; neither sunlight nor shadow
(or `no sunlight').....
SOHAM SADHANA PRACTICE
As you allow your mind
to flow with the Soham Mantra, also gently train your
breath. This breath training has a tremendous effect on
calming the mind.
No pause:
Allow there to be no pauses between breaths.
Inhalation naturally, smoothly transitions into
exhalation, and exhalation naturally transitions into
inhalation.
Silent:
The breath itself is quiet, with the sound of the mantra
only remembered internally.
No
jerkiness:
Gradually eliminate any jerkiness or irregularities, so
that the breath is smooth. The bumps in the breath come
from the mind, and calming the breath will in turn calm
the mind.
Slow:
A comfortably slow breath is very beneficial. The rate of
the mantra in the recording will bring your breath to a
comfortable rate.
Diaphragmatic:
Breathe with the diaphram, the large muscle connected all
the way around the inside of the lower rib cage. The
muscles of the lower abdomen and the upper chest are not
needed to breathe diaphragmatically.
FIVE WAYS TO PRACTICE
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Diaphragm:
Place your attention in the area of the diaphragm,
in a palm-sized space, just below the breast bone. Allow
the inhalation to flow in unison with the sound Sooooo...
of the Soham mantra. Allow the exhalation to flow in
unison with the sound Hummmm... of the So Hum
mantra. Observe the feel of the motion from the inside,
and allow there to be no pauses between breaths.
Inhalation naturally transitions into exhalation, and
exhalation naturally transitions into inhalation. The
breath will naturally become smooth and quiet. The sound
of the Sohum mantra will gently regulate the speed of the
breath.
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Spine:
With inhalation, allow your inner attention to move
upwards with Sooooo..., from the base of the spine
to the top of the head. With exhalation, allow your inner
attention to move down with Hummmm..., from the top
of the head to the base of the spine. You might also look
for a thin, milky white stream flowing there with the
breath, though that is not necessary if you do not see
such an image. Once again, you gently transition between
breaths, with no pause between the breaths.
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| 3. |
Chakras:
Similar to the breath along the spine, allow your attention
to flow with So Hum mantra between two chakras, or energy
centers that may be needing special attention or
balancing. For example, inhale from the navel center to
the heart center, and exhale from the heart to the navel;
or inhale from the heart center to the eyebrow center, and
exhale from the from the eyebrow center to the heart.
Whichever two chakras are used, the inhalation is upwards,
and the exhalation is downwards.
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| 4. |
Nostrils:
Place your attention at the bridge of the nostrils,
feeling the touch of the air moving in and out of your
nostrils. Coordinate the inhalation with the sound Sooooo...
of the So Hum mantra. Coordinate the exhalation with the
sound Hummmm... of the Soham mantra. If one nostril
seems to be flowing less freely, it is good to place the
attention on that nostril. When both nostrils flow freely,
there is a joy that comes, and the mind wants only to do
meditation. It is called sandhya, the wedding of
the sun and the moon (ha and tha of hatha),
of ida and pingla, the left and right energies of the
subtle body. This allows energy to flow in the central
channel sushumna.
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| 5. |
All three
methods above:
Sequentially do each of the three practices above with So
Hum mantra, starting with breath awareness at the
diaphragm, followed by the breath along the spine, and
then breath awareness at the bridge of the nostrils.
Divide the time approximately evenly between the three, or
however feels comfortable and natural. Remember, the
difference between the So Hum mantra methods is the
placement of your attention, while you continue to
breathe smoothly, quietly, and with no pauses between
breaths.
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